Issue #47

Everybody's lives are full and mysterious and unexpected. It's just a question of whether or not you're paying attention.—Amy Bloom, interviewed by Sarah Anne Johnson

My wife said something that was so wonderful. Toward the end of all this, when I finally did find the right way to write the story and I was very happy, I said, "Jessica, I'm just a quirky writer. I'm always going to write quirky books, and I guess that's just the way it's going to be." And she said, "Well, Mark, our quirks are all we have to offer."—Mark Salzman, interviewed by Linda B. Swanson-Davies

There are things you would like to be able to use and stories you would like to be able to tell, but you can't use them in nonfiction because there are emotions and feelings that you would never want anyone to recognize. Sometimes they go into your fiction. That's something writers do with their lives and their emotions—things you have learned that for one reason or another would not be particularly appropriate as journalism. You use it and you transform it.—Perri Klass, interviewed by Charlotte Templin

I—we—figured it would be my arty little book that would sell a few thousand copies and then limp with whatever dignity it could muster over to the remainders tables. Which indicates, I suppose, that since no one can possibly know how a novel will be received, we might as well just write whatever we want to write, and hope for the best.—Michael Cunningham, interviewed by Sarah Anne Johnson

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One of the most respected short-story journals in print, Glimmer Train Stories is represented in recent editions of the Pushcart Prize, New Stories from the Midwest, O.Henry, New Stories from the South, Best of the West, and Best American Short Stories anthologies.

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